Category — quilts

Don’t give up on that project!

Reading the book “That Dorky Homemade Look” by Lisa Boyer has really energized me to finish my UFO’s. How could I resist buying her book when her first “Principle of Dorky Quiltmaking” is to buy fabric that you “feel sorry for”! That is soooo —– ME! Many times I’ve bought something that I thought would make an adorable project, and my husband and kids would look at me like I had finally gone over the edge. I would dive head-first into my idea, get half-way through the project, and then run out of steam. Whether it was my own creation, or whether I was following a pattern, sometimes things just didn’t look quite right.

Quoting Lisa Boyer, “Enjoy the process. Don’t worry about judgements, and realize that the rules are something you can embrace or reject at will, whatever suits you. Quilting styles, fabric colors, opinions and rules change with time. The only truly lasting thing in a quilt is the love you sew into it.”

How many times have you gotten half way through a project, and then gave up? It just wasn’t turning out the way you expected that it would. The disappointment was strong, and it was easier to toss the project aside than it was to think about wasting any more time finishing. it. After all, you thought…. how could it possibly get any better if it looks this bad now? Of course, then the guilt sets in — and you think of not just the time that has been wasted, but also the money for all of the materials that are in your project. Occasionally, you question your own skill set, thinking that your project doesn’t even resemble the picture on the front of the pattern!

If this ever happens to you, try to find a box to store this project, and consider finishing it someday. Why store it in a box? Because throwing everything into a bag just leads to having the contents become wrinkled and messy. If everything is in a box, ready to begin work again, chances are that you will want to “play” with this project. Store the fabric, any pieces that have been cut, embellishments, the patterns, etc. in your box. A clean pizza box can be wonderful for this. Next time you are in the pizza shop, get a few boxes for yourself. You can label the top or front with the project name, and stack the boxes neatly on a shelf. Almost every project is worth finishing, even if you use the item for a different plan than the original idea. Taking a break from the frustration can give you a fresh outlook, and you can return to finish the project sooner if you actually “can’t see it” for a few days.

Consider the project below. Susan bought a pattern for a beautiful Asian wall-hanging. She carefully chose a printed panel and all of the coordinating fabrics, trims, medallions, border fabric, backing, batting, and metallic thread. Following the directions closely, she executed every step with careful consideration. The piecing was perfect. All of the ribbons were inserted in the correct places. Even a soft satin binding was added to the outer edge.

But for some reason, Susan wasn’t pleased with all of the work she had done on her project. The directions called for stitch in the ditch between blocks, and stitching around the graceful flying cranes with metallic thread. All of the steps were done perfectly, yet Susan felt something “just wasn’t right” with her finished project, and it had been tossed aside for many months. Last week, she brought the wall-hanging to my studio for my opinion.

After one glance, I decided that the thick fluffy polyester batting was the culprit. While it served the intended purpose of making the detail stand out on the flying cranes, it also made the entire background puffy. The outer borders were five inches wide, and without any quilting inside to hold the layers together, each one looked slightly lumpy. The weight of the metal medallions pulled on the fabric, and without any support, the fabrics in those two squares hung there limply. Each of the squares looked pretty…. but again, puffy. We had to plan a way to save this project. In it’s current condition, Susan didn’t want to hang it up on her wall.

We looked through lots of designs for the various areas, and chose patterns and borders to add to her project. Two of the medallions that were on the quilt were glued on, and could not be removed, so we had to plan around those. Also, there were ribbons and braid to avoid. I love a challenge!

Here’s a picture of the five inch wide puffy border without any quilting:

And this is how it looks with quilting to hold the layers together:

I’ve had many projects come through the door that just need a little bit more work to make them truly finished. When Susan came to pick up her wall-hanging, she was jumping for joy. Her Asian wall-hanging had been set aside for months, and now it’s ready to hang. A few days later, she wrote to me saying “You inspired me to try another quilt!  Thank you from my heart! ” It’s a great feeling of accomplishment to finish a project. Having my partially completed projects neatly organized has helped me to finish some that I had thought would never be finished. Some of my UFO’s have become gifts, and other’s have been donated to charity upon completion. I will always remember Lisa Boyer’s words of wisdom:
“The only truly lasting thing in a quilt is the love you sew into it.”

And for another great book by Lisa Boyer, check out “Stash Envy and other Quilting Confessions and Adventures”!

Tons of beautiful batiks — and lots of patience!

The black pieced stars in the corners of the blocks are only 2 inches across. Ronnie wanted the stars to “pop”, so there is stitch-in-the-ditch around each segment. The sashes are ditch-stitched, too.

The pattern for the Hunter’s Star is by Jan P. Krentz, and is in her book titled Hunter Star Quilts and Beyond. You can purchase it from Amazon here:

The quilting designs are from the Enchanted Collection from Anne Bright.

Romantic pinwheels and hand applique

The quilt was made possible with a lot of help from my friends on my Candy Apple Quilts Yahoo group. I asked for everyone to send a 6-inch strip of floral fabric to me so I could have lots of variety. The response was overwhelming! Here are just some of the fabrics that I received:

Lots of florals!

Shades of green for the leaves

I was intrigued with finding a faster way to create all of the half-square triangles that would be needed for the center section, and for the border. Using a Gammill machine with a Statler Stitcher enabled me to do most of the work with the computer! I put a solid white fabric on the machine first. Then, I placed a strip of floral fabric right side down on the white fabric with a pin at each end to hold it in place. Using the computer, I set up all of the sewing for the half square triangles.I then cut the strips apart and ironed the pieces open to create all of the pieces I needed for the pinwheels.

When all of the pinwheels were complete, it didn’t take long to sew them together into the center portion of the quilt.

Each of the fabric strips right sides together

From the various green fabrics, I cut all of the leaves for the appliqued border. All of the applique was done by hand.

Back to the quilting machine with more white fabric, and a pretty lime green. All of the half square triangles were laid out in advance, and sewn row after row, non-stop.

After cutting the rows and blocks apart, I had all of the half square triangles that I needed for the outer border of the quilt!

The only job left was to measure the applique borders and the outer borders, and apply them. I added the binding, sprinkled a few yo-yos on for fun, and it’s done! Click on the images below to see the full-sized pictures.

This pattern for the quilt is available from McCall’s Magazine. For the half square triangle Statler pattern, please email Gary and Linda Schmitz at ewok335@centurytel.net, or check their web site for patterns.

This beautiful quilt was created by Priscilla Madsen of Madsen Originals. The lace embroidery is spectacular! It was just published in the most recent issue of Designs in Embroidery Magazine.

I’d like to share some close-up pictures with you, so you can see the quality of the stitching. Click on the image to have it open on a new page. Then, click on the image again, and you will be able to see a larger version.

It was a real pleasure to do the quilting for this project! Priscilla is wonderful to work with — and so talented!

Done in many shades of lavender, burgundy, green, and cream…. this quilt by Maureen was perfectly pieced, and so much fun to work with! Maureen chose feathered blocks by Kathy Olson, and a wonderful feathered border to compliment her squares and triangles!

Click on the images, and then click again for a full-sized image.

This pattern was featured in the March/April issue of Quiltmaker Magazine. When I saw it, I knew that it would be the perfect stash-buster! It’s so much fun to use up old fabric, so I can go shopping for more!

This quilt is made by hand-appliqueing a central square that measures 24 inches. Then, seven different borders are added that consist of half-square triangles, piano keys, standard borders, and four rectangular areas with more hand-applique. Having lots of large sections made the quilt top go together very quickly, and it was lots of fun!

To complete the quilt, I used a very small stipple in the areas surrounding the appliques, and patterns from Anne Bright’s Merrily Blooming collection for all of the other areas.

To finish everything and add a little more pizzazz, I made yo-yos from fabric, attched them to the flowers, and then added buttons on top! If you click on these images below, and then click again, you will be able to see the full size pictures.

In today’s economy, everyone is concerned about getting the most for their money. I’d like to show you how to do a little comparison shopping when you are ready to have your quilt top turned into a family treasure.

Most people in the quilting industry price their service per square inch. It’s quick, logical, and fair. An overall pattern will be less expensive per square inch than a custom or heirloom quilting service.

I decided to do some research on quilting prices, because the rates at Candy Apple Quilts have not gone up in a few years now, and I have seen quite a lot of variance across the pricing board. In an effort to glean the most accurate info, I interviewed 17 quilters nationwide, and 3 more who are in my general vicinity, for a total of 20 comparison companies. I intentionally chose quilters with rates starting at 1.5 cents per square inch to see if they were indeed cheaper in the long run. I compiled all of the information into a spreadsheet, and renamed the least expensive quilter “Company X” for our purposes here.

Look at the chart below, and it will be easy for you to follow along with the logic. (You can click on the chart to make it larger.)

When pricing your quilting service, you need to ask questions about extra charges. Each of the 20 companies that I interviewed had extra charges for various services, including the edge treatments, the threads chosen, and set-up and turning fees. As you can see from the chart above, I have listed a few of these fees so you could get an idea of how much they typically run. While looking at the rows titled “Set-up fee” and “Edge-trimming fee”, notice that these charges are not in the Candy Apple Quilts pricing structure. In my way of thinking, asking for a set-up fee is comparable to a mechanic charging you to pull your car into the garage so he can work on it! You will never see a set-up fee here. As for the treatment of the edges of your quilt…. that’s another area where I firmly stand my ground.

When you receive your quilted project, you want to be able to get your binding on RIGHT NOW — right? The last thing you need to deal with is sloppy basting stitches, or even worse — an overall pattern that runs off the edges of your quilt and into the “batting no-man’s-land”. It can ruin the quilting design along the edges of your quilt, and it can also make it harder for you to attach your own binding. All of the edges done by Candy Apple Quilts are machine-sewn with a regular stitch length (not basted) just inside of the binding line, making it easy for you to have a guide-line to follow when attaching binding. All excess batting is trimmed away cleanly and evenly. You know how hard it can be to do that trimming if you don’t have a quilt-sized table to work on! Your quilts are returned to you “ready to go” — you just sit down and bind. Or, we can do that too!

Back to the chart above…. lots of folks work through their local quilt shop, and some quilt shops take a portion of the final price, or a “cut” of twenty to thirty percent that gets added on top. Ouch! You will never find that at Candy Apple Quilts, either! The example uses a hypothetical quilt that is 45 inches square, and shows the pricing for an overall design at 2 cents for Candy Apple Quilts versus 1.5 cents for Company X. You can easily see by the total at the bottom of each column that cheaper is not always…. well ….. cheaper!

Click here for a complete pricing schedule, including sample pictures of each quilting type!

Karen has really captured the freshness of the season with this quilt! I’m always awed by her fabric choices, and her piecing… but this is my favorite one so far.

Spring Fresh Quilt

I just love everything about this quilt — the hydrangeas are gorgeous! Karen and I both think of fresh linens and sunny spring days when we look at these fabrics, and I think she chose the perfect feathered design for the quilting!

Jean chose a wonderful design to place in the empty area of her Dresden project! All of the fan blades were done using a curved line instead of traditional stitch-in-the-ditch, creating a much softer feeling:

Looking for a design to combine with the soft feel of the fan blades, Jean choose a design that could have created a problem if it had stitched in the fan blades. Using the Statler Stitcher and Creative Studio software, if was simply a matter of trimming away all parts of the design that we didn’t want. This trimming function created a smooth-stitching design that filled the empty areas perfectly.

I had the rare privilege of working with Connie to complete a quilt that her mother Eunice pieced. It was done in bubble gum pink and apple green, and completely hand-appliqued. Eunice duplicated this beautiful pattern that was originally published in the mid-1800′s, and her applique is so perfectly done! Connie will be keeping this quilt in a special place to honor all of the beautiful hand work that her mother used to finish this beautiful quilt: