This embroidery collection from Priscilla Madsen of Madsen Originals is one of my favorites. If you look closely, you can see beautiful birds in each of the embroideries. Priscilla wanted quilting that would emphasize the gorgeous fabric she used for this quilt. Here is a screen shot of the layout that we used:

Each embroidered block has a small stipple, combined with a little bit of stitching following the embroidery to hold the layers together. If you click on each of the pictures, you can see close-ups of the designs that are included in this collection called “Calligraphy Art”. You can also see the back of the quilt, which shows the designs that were placed in the blocks that were not embroidered.

Minkee can be tricky to work with on a longarm machine. Keeping the stretch parallel to the rollers will help to keep the stretchiness of a wild Minkee backing  tamed. Also, keeping the side clamps very loose —- so loose that you will think that the quilt top looks rather baggy —- will also help you to avoid having the backing shrink up when you remove the quilt from the machine. The most important tip I like to pass along is: REMEMBER NOT TO ROLL THE QUILT TOO TIGHTLY.  If that’s the only tip you remember, you will avoid a lot of headaches.

Backings pieced from Minkee should be avoided if possible. Because of the thickness of the Minkee, the seam on the backing can show through to the front of the quilt. Also, it’s a bit difficult to piece Minkee without having it slide around, causing a backing that looks square on the table to look like this on the machine:

If this backing had been pieced out of any other fabric but Minkee, I would have removed it from the machine and done the piecing over. As it was, I held my breath and let the extra fabric be absorbed by the dense snowflakes that would be quilted on it.

If you have any frustrations during the process of working with Minkee, just slide your hand across the wonderful fabric and you will be guaranteed to smile!

If you would like to experiment with a little touch of Minkee, but don’t want to use it for the entire quilt, consider using it for your appliqué fabric. Leslie brought over a quilt that had adorable elephants appliquéd on it, and she used various pieces of Minkee as the appliqué fabric. She used flat Minkee, striped, nubby… a little bit over everything. The elephants look so cute with the little bows on their heads!

I recently received a quilt top from Linda at Putting You In Stitches. I love her sense of humor! She had been working on these log cabin blocks in her spare time (what’s that? LOL!) and after making so many of them, she just wanted to be DONE ALREADY! Rather than face the idea that she would need to make twice as many as she already had finished for this large quilt, we decided to try an experiment.

Linda took very accurate measurements of her quilt top along the four sides, and most importantly, through the centers in each direction. She cut five inch wide borders in the same colors that she had used for the log cabin blocks, and added those wide borders to her pieced center area. The extra time that she took to do her measuring made this quilt top lay perfectly flat — and made it a joy to quilt!

The design in the center is a pattern from Anne Bright called Playful Paisley. This design has appeal to any age, and any gender. The four designs in the outer borders are also from various Anne Bright collections. Border number 1 (the blue border) has the coordinating Playful Paisley design, border 2 is called Swirling Double, border 3 is from the collection Bending In The Wind, and the white outer border is also from the Playful Paisley collection.

Enjoy the pictures! Note — if you click on a picture to open it, and then click on it again, you will be able to see all of the details!

There’s nothing better than having someone come to pick up her quilt, and having her give me a giant hug!  Karen worked hard on this adorable quilt for her little grand-daughter, and it was worth every minute.  Her piecing is perfect, the applique is precise and smooth, and the finished project is wonderful!

Karen wanted to have a quilting design that reflected something to go along with the puppy theme. We chose a design from Vickie Maleski that has small bones and paw prints. She requested that there be no quilting on the puppy appliques that surround the outer border.

All the quilting was done to surround the puppys, but not stitch over them. Karen is deciding if she would like to leave the puppys unquilted (as shown in the original pattern), or if she would like to add some hand quilting to them.  The quilt is adorable just as it is, but the nice thing about adding hand-quilting is that she can add it at a later date, even after the quilt has been laundered numerous times. Now that’s flexibility!

The Baby’s Bow Wow Blankie  pattern was created by Bonnie Sullivan of All Through the Night Folk Art Designs, and is available by clicking here.  Be sure to click on the pictures below to see more of Karen’s quilt project!

I wanted blocks that pertained to my daughter, such as “Eyes of Blue” and “March Winds” and “Puppy Love” — things that were special to her at the time.

I started this quilt with ten-inch blocks, hand-quilting each one with a “quilt as you go” approach. After a short time, I decided that it would take too long to finish this quilt, even though it would only be sized for a twin bed. I made a trip to the local copy shop, and had the patterns enlarged substantially. I cut the pieces from these larger patterns, and used the larger seam allowance shown on the new templates.

Time went by, and life got in the way. Another daughter came along, and this project was hung up in the closet to finish later. All of the blocks were pieced, and hanging up on clip-type pants hangers.

Now that my oldest daughter is a mother, and my parents have passed away, I felt it was important to finish this quilt. I joined all of the blocks together, including the ones that had already been hand-quilted. Using Creative Studio with my Statler Stitcher, I was able to choose quilting patterns AND create new patterns from elements contained within the original ones.

This quilt will be a gift to my grandson this year. He will be moving out of his crib, and into his first “big-boy bed”, and he will be able to enjoy the colors of the quilt that his great-grandparents chose with love.

Reading the book “That Dorky Homemade Look” by Lisa Boyer has really energized me to finish my UFO’s. How could I resist buying her book when her first “Principle of Dorky Quiltmaking” is to buy fabric that you “feel sorry for”! That is soooo —– ME! Many times I’ve bought something that I thought would make an adorable project, and my husband and kids would look at me like I had finally gone over the edge. I would dive head-first into my idea, get half-way through the project, and then run out of steam. Whether it was my own creation, or whether I was following a pattern, sometimes things just didn’t look quite right.

Quoting Lisa Boyer, “Enjoy the process. Don’t worry about judgements, and realize that the rules are something you can embrace or reject at will, whatever suits you. Quilting styles, fabric colors, opinions and rules change with time. The only truly lasting thing in a quilt is the love you sew into it.”

How many times have you gotten half way through a project, and then gave up? It just wasn’t turning out the way you expected that it would. The disappointment was strong, and it was easier to toss the project aside than it was to think about wasting any more time finishing. it. After all, you thought…. how could it possibly get any better if it looks this bad now? Of course, then the guilt sets in — and you think of not just the time that has been wasted, but also the money for all of the materials that are in your project. Occasionally, you question your own skill set, thinking that your project doesn’t even resemble the picture on the front of the pattern!

If this ever happens to you, try to find a box to store this project, and consider finishing it someday. Why store it in a box? Because throwing everything into a bag just leads to having the contents become wrinkled and messy. If everything is in a box, ready to begin work again, chances are that you will want to “play” with this project. Store the fabric, any pieces that have been cut, embellishments, the patterns, etc. in your box. A clean pizza box can be wonderful for this. Next time you are in the pizza shop, get a few boxes for yourself. You can label the top or front with the project name, and stack the boxes neatly on a shelf. Almost every project is worth finishing, even if you use the item for a different plan than the original idea. Taking a break from the frustration can give you a fresh outlook, and you can return to finish the project sooner if you actually “can’t see it” for a few days.

Consider the project below. Susan bought a pattern for a beautiful Asian wall-hanging. She carefully chose a printed panel and all of the coordinating fabrics, trims, medallions, border fabric, backing, batting, and metallic thread. Following the directions closely, she executed every step with careful consideration. The piecing was perfect. All of the ribbons were inserted in the correct places. Even a soft satin binding was added to the outer edge.

But for some reason, Susan wasn’t pleased with all of the work she had done on her project. The directions called for stitch in the ditch between blocks, and stitching around the graceful flying cranes with metallic thread. All of the steps were done perfectly, yet Susan felt something “just wasn’t right” with her finished project, and it had been tossed aside for many months. Last week, she brought the wall-hanging to my studio for my opinion.

After one glance, I decided that the thick fluffy polyester batting was the culprit. While it served the intended purpose of making the detail stand out on the flying cranes, it also made the entire background puffy. The outer borders were five inches wide, and without any quilting inside to hold the layers together, each one looked slightly lumpy. The weight of the metal medallions pulled on the fabric, and without any support, the fabrics in those two squares hung there limply. Each of the squares looked pretty…. but again, puffy. We had to plan a way to save this project. In it’s current condition, Susan didn’t want to hang it up on her wall.

We looked through lots of designs for the various areas, and chose patterns and borders to add to her project. Two of the medallions that were on the quilt were glued on, and could not be removed, so we had to plan around those. Also, there were ribbons and braid to avoid. I love a challenge!

Here’s a picture of the five inch wide puffy border without any quilting:

And this is how it looks with quilting to hold the layers together:

I’ve had many projects come through the door that just need a little bit more work to make them truly finished. When Susan came to pick up her wall-hanging, she was jumping for joy. Her Asian wall-hanging had been set aside for months, and now it’s ready to hang. A few days later, she wrote to me saying “You inspired me to try another quilt!  Thank you from my heart! ” It’s a great feeling of accomplishment to finish a project. Having my partially completed projects neatly organized has helped me to finish some that I had thought would never be finished. Some of my UFO’s have become gifts, and other’s have been donated to charity upon completion. I will always remember Lisa Boyer’s words of wisdom:
“The only truly lasting thing in a quilt is the love you sew into it.”

And for another great book by Lisa Boyer, check out “Stash Envy and other Quilting Confessions and Adventures”!

That’s the name of the most recent quilt from a fantastic artist Kim Montagnese. This quilt is a new twist on the old favorite Broken Dishes.  Kim added lots of fun to this quilt pattern with a new method of applique, rubber stamping, and even silverware! My favorite part is the expression stamped on the quilt top that says “You can lead me to the kitchen, but you can’t make me cook”.  That’s fits me perfectly!

Kim wanted “fun” quilting on this one! Here are some pictures:

There’s a cute story about what happened when Kim was working on this quilt over at her blog Colorz My World. She had a little “boo boo” that needed a band-aid — literally!

Kim sells her patterns, and teaches fun classes on making them. You can reach her by sending an email to Kim Montagnese at Montagnese@oh.rr.com.

The black pieced stars in the corners of the blocks are only 2 inches across. Ronnie wanted the stars to “pop”, so there is stitch-in-the-ditch around each segment. The sashes are ditch-stitched, too.

The pattern for the Hunter’s Star is by Jan P. Krentz, and is in her book titled Hunter Star Quilts and Beyond. You can purchase it from Amazon here:

The quilting designs are from the Enchanted Collection from Anne Bright.

Romantic pinwheels and hand applique

The quilt was made possible with a lot of help from my friends on my Candy Apple Quilts Yahoo group. I asked for everyone to send a 6-inch strip of floral fabric to me so I could have lots of variety. The response was overwhelming! Here are just some of the fabrics that I received:

Lots of florals!

Shades of green for the leaves

I was intrigued with finding a faster way to create all of the half-square triangles that would be needed for the center section, and for the border. Using a Gammill machine with a Statler Stitcher enabled me to do most of the work with the computer! I put a solid white fabric on the machine first. Then, I placed a strip of floral fabric right side down on the white fabric with a pin at each end to hold it in place. Using the computer, I set up all of the sewing for the half square triangles.I then cut the strips apart and ironed the pieces open to create all of the pieces I needed for the pinwheels.

When all of the pinwheels were complete, it didn’t take long to sew them together into the center portion of the quilt.

Each of the fabric strips right sides together

From the various green fabrics, I cut all of the leaves for the appliqued border. All of the applique was done by hand.

Back to the quilting machine with more white fabric, and a pretty lime green. All of the half square triangles were laid out in advance, and sewn row after row, non-stop.

After cutting the rows and blocks apart, I had all of the half square triangles that I needed for the outer border of the quilt!

The only job left was to measure the applique borders and the outer borders, and apply them. I added the binding, sprinkled a few yo-yos on for fun, and it’s done! Click on the images below to see the full-sized pictures.

This pattern for the quilt is available from McCall’s Magazine. For the half square triangle Statler pattern, please email Gary and Linda Schmitz at ewok335@centurytel.net, or check their web site for patterns.

I’d like to share some close-up pictures with you, so you can see the quality of the stitching. Click on the image to have it open on a new page. Then, click on the image again, and you will be able to see a larger version.

It was a real pleasure to do the quilting for this project! Priscilla is wonderful to work with — and so talented!